Sunday, November 13, 2016

TOW #9—Visual text: JB by Archibald MacLeish

Over the past several months, I have worked on the crew of the production of JB in our school. Being one of the leaders in stage crew, I was given a script to follow cues and to learn about the play. JB is a tragedy, based off of the Book of Job in the Old Testament. In the play, it was modernized, based in the 1950s, when it was written. It follows a man named JB and his family. JB, a very faithful and good man, is challenged by Satan, or Nickles in the play. Mr. Zuss, the equivalent of God, allows Nickles to take away JB’s blessings. Slowly, JB’s children die and he loses his job, his money, and his health. This fear and depression and, ultimately the survival of JB’s faith, can be seen through the cover of the script itself.
                The cover consists of mainly brown tones. However, there is a large white patch in the center showcasing the title and the author. This contrast of light and dark is highly symbolic of the two main conflicting forces in the play itself. God, often represented in lighter colors (and wearing white in the play), fought with Satan, who is traditionally represented with darkness (and wore black in the play). The overpowering brown also has a symbolic element. Although God won in the end, Satan became controlling of the situation, even taking over a person’s life, much like how the brown is taking over the entire front cover.
                In addition, the brown could represent impurity, whereas the white is pure and clean. This is not only literally, due to a bomb in the play, but figuratively. Satan’s, or Nickles’s, motivations were to reveal the impurities of JB’s faithfulness to God. Though this never occurred, it does not mute the dirtiness of Nickles’s actions, or even of JB wife’s reaction to the situation. Ultimately, she agreed with her husband and stayed faithful, but during the play she comes to curse God as she is dealing with her children’s deaths.

                Simply by using contrasting colors on the cover of the script of JB, Archibald MacLeish explored the depth behind his play. 

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