In a twist of events, the medical director of Bellevue hospital gets diagnosed with throat cancer. He tellshis story as a patient, as well as the stories of many patients he has treated along the way, in the
memoir Twelve Patients: Life and Death at Bellevue Hospital. Through these stories, he discusses the
meaning of life and death, immigration, obesity, suicide, and health care, helping his story relate to every reader. This book has been recommended to me by both my mother and my sister. After starting it over the summer but never getting far, it would be a perfect book to finish as an IRB.
Tuesday, February 7, 2017
TOW #17—Page from a Fashion Magazine
TOW #17—Page from a Fashion Magazine
Magazines, whether news,
fashion, or sport, have been a large part of American culture long before I was
born. They advertise anything you can think of—from clothes and shoes to fancy
tennis ball dispensers for dogs. They are a staple item in every household.
Every magazine has a large visual component to it—drawing readers in through
visual aspects. Even ads must appeal to the eye or they will be looked over or,
simply, never picked up. In this particular magazine, two women hug each other
from a close up view and description covers their arms at the bottom of the
page.
The women in the photo, one
younger and one older, embrace each other in an excited hug, smiling large.
Their hair, similar in color and style, paired with the phrase “mother and
actress” at the top of the page may lead readers to believe that it is a mother
and her grown daughter in the photo. This goes to show how this particular
clothing brand appeals not only to the younger generation, but the older ones
as well. It compliments both young and old, attracting a larger audience. The
smiles on the two women showcase their joy. The joy, though not plausible, may
have roots in the clothing they wear and can be assumed that is the case due to
the occasion of the text. The colors of the photo overall remain light, adding
to the lighthearted and happy tone of the text. This, again, adds to the
happiness that the clothing line seemingly brings to the duo.
The light tones, the actresses’
facial expression, and the age difference of the actresses make the clothing
line in the magazine article visually appealing. Though the magazine does not
showcase the clothes itself, it insinuates by simply using visual appeals that
the clothing line will make you happy.
Sunday, January 22, 2017
TOW #16—IRB: “Behind the Beautiful Forevers” By Katherine Boo
TOW #16—IRB:
“Behind the Beautiful Forevers” By Katherine Boo
Poverty has torn our world
apart. It resides in every country, every state, every city. It is extremely
prevalent in India, where slums squat all around the outskirts of cities. The
poor hide in the shadows of sky scrapers and scavenge through the trash of the
rich, hoping to find something valuable. Millions of people live this way and
there isn’t much they can do to help themselves. However, aide can be found
from those who make a good living, who live with the benefits the poor have
never had. But sadly, many people do not help. Most do not know the dire
situation that is rampant throughout the world and some simply do not seem to
care to help. Journalist Katherine Boo traveled to India and wrote a book on
the lives of a few people living in the slums of Mumbai. She intertwines
thoughtfully crafted diction in her story-like nonfiction book to create the
feelings that her characters were experiencing in those moments. With this
knowledge, readers feel inspired to help and to lend to the cause of the people
living in the slums.
Boo has the specialty and the
ability to add powerful emotions into her writing. She clearly conveys what her
characters feel, from each perspective and in each situation. It helps to
explain the characters’ motivations, hopes, dreams, likes, dislikes, and
insecurities. She does this by choosing her words carefully. She uses powerful
verbs such as “shrieked” (Boo 96) and “inspected” (Boo 135) to convey feelings
in the characters’ actions. Her strong description, such as “mast-straight”
(Boo 135) and “poking along in bitty hearings” (Boo 205), paints a picture and
adds feelings to the situation. Thus, the reader can easily develop
relationships with the people and their situations. Whether this causes
sympathy, inspiration, or depression, it motivates the readers to take action
and to help people who experience this same pain.
Boo’s book, sold world-wide, has
inspired many. As the years pass, it only inspires more to take a stand on
world poverty. Boo uses powerful language in her book to express the feelings
and emotions these real, struggling people have and to motivate others to take
action.
Monday, January 16, 2017
Tow #15--“A Fix for Gender Bias in Health Care? Check” by Jessica Nordell
Tow #15--“A
Fix for Gender Bias in Health Care? Check” by Jessica Nordell
It’s not hard to see that there
is a gap between men and women in society. It wasn’t until 1920 that women
could vote and, even now, women get paid less than men, are expected to stay home
to watch the children, and take on the household duties. In hospitals, this gap
is also occurring, not only among the employees, but the patients as well. In
Johns Hopkins Hospital in Baltimore, 45% of women who could have been cured
died of preventative blood clots. In men, the percentage was only 31. This was
not due to the treatment they received but the way they received it. Doctors
seemed to be more careless and non-attentive to women, favoring men. However,
as the article presents, the hospital came up with a check list, resulting in
less deaths and no gender imbalance.
Nordell keeps her tone light and
informative. Since her subject contains controversial material, such as the
gender roles, this tone could have easily turned to anger, revenge, or even
fear. She, however, uses phrases such as “It’s not clear what causes these
differences” and “unintentionally” to show that, although she is a woman
herself, she does not harbor anger. Her article is about how this difference
between men and women can be lessened, not about why it is caused. Her lack of
anger draws in a larger audience and keeps both women and men reading.
Personally, I have read a lot of articles about women’s rights and, as a woman
myself, I am turned away by the over-emotionally and rage-filled tone. I am
sure men, feeling attacked, do not engage with the article either. Nordell’s
approach stays focused on the medicine, keeping her audience happy and
intrigued.
Tow #14 – FDR’s Pearl Harbor Address
Tow #14 – FDR’s Pearl Harbor Address
On December 7, 1941, the naval
base in Pearl Harbor, Hawaii was attacked by Japanese fighter planes. Over
2,000 soldiers died, 20 naval vessels were destroyed, 300 airplanes were
destroyed, and another 1,00 soldiers were injured. The very next day, President
Franklin Roosevelt asked congress to declare war on Japan in his Pearl Harbor
Address, bringing America into World War II.
FDR had to appeal to congress in
order to declare war. To do so, he carefully controlled his diction. At the
start of the address, he speaks about America’s previous peace with Japan. He
utilizes the past tense to reinforce the idea of broken peace and betrayal. He
often says “was” to refer to their relations with Japan and later changes to
words such as “useless” and “deliberately planned”. This changes his tone from
hopeless to angry. At first, he represents the hopeless and sorrowful feelings
of the American people by representing the pain and betrayal they have felt,
reinforcing this feeling by referencing how America and Japan were united
together in their efforts to keep peace in the pacific. By later transitioning
to an angry tone, he represents the internalized feelings of the American
people. The people who have lost family, friends, colleagues, and co-workers
are angered by the deliberately planned deaths of their friends. Following the
stages of grief, FDR presents his proposal. As can be assumed, congress is also
moved by this and thus, has experienced these stages of grief. This not only
arouses the feelings in each member of congress but validates them as well.
Simply by utilizing the English
language, President Franklin Roosevelt declared war on the Empire of Japan. A
few days later, Japan’s allies declared war on the United States and officially
brought them into World War II. FDR’s address on Pearl Harbor indirectly
brought America into World War II.
TOW #13: Visual Text – Cover of CoolBook Magazine
TOW #13: Visual Text – Cover of CoolBook Magazine
Junior year is the first year I
can go to prom, (without an older date, of course) meaning that many magazines
have and will be sending me their ads for proms dresses. The first magazine I
got this year is CoolBook, a magazine
that I have never heard of before. This may be the case because it only
includes prom dresses and, seeing as I have never had to shop for one before, I
have not had the pleasure of discovering it yet. Its cover, displaying a woman
in a dark green-teal dress, is simple with only two main colors on a white
page: purple and green. It encapsulates the he simplicity, yet the beauty that
their prom dresses have to offer.
The woman on the front is
wearing a simple off-green dress with jewels at the top. Her body is turned
away, though her eyes stare directly at the camera. Her mouth is parted,
halfway between a smile and a sultry look. Out of everything on the front
cover, it is not her dress, her abnormally large earrings, or her smoky eyes
that catch my eyes; it is her mouth. Her mouth, ever so slightly turned up
shows the happiness this model is feeling in her dress. However, it is not a
grin or a laugh, or even a full smile. She is still serious and, as they are
suggesting, sexy. The simple position of her lips represents the range of emotions
a girl can feel in a prom dress from CoolBook.
The cover contains two main
colors; purple lettering and the green of the model’s dress. It is simple, not
too crowded, with darker tones against the bright white behind it. Pantone’s
Color Institution has named Greenery, a color inspired by the greens found in
nature, as the color of 2017. The magazine entraps audiences by using this
popular color and pairing it with a dark, faded purple, another very popular
color. Though the two aren’t complementary colors, they pair well on the cover
and give a stark contrast, defining sharper lines on the magazine. This sharp
line can be seen as popular amongst other societal beauties, such as sharp jaw
lines, or thick black glasses. By using the shape of the model’s mouth and two
contrasting yet popular colors, CoolBook
creates a front cover appealing to any teen.
TOW #12 – IRB: “Behind the Beautiful Forevers” by Katherine Boo
TOW #12 – IRB: “Behind the Beautiful Forevers” by Katherine
Boo
Katherine Boo, journalist and
writer, traveled to the slums of India, observing the lives of the people for
three years. She tracks not only one person, but multiple, gaining different
insight to the daily lives of the people of Annawadi. Hopes are high as the
economy prospers, but before long, Abdul, who sees a bright future in the trash
of the rich, is charged with a serious crime. The economy starts to shift and
the hopes of the people plummet. Boo’s rocking story shines light on the tough
situations rampant through, not only India, but every country. She uses
extremely strong and descriptive diction to paint the picture of these lives to
show the middle class and the rich the pain and the suffering the lower class
must endure to get through each individual day.
Boo excites an emotional
response in her audience by using well thought out diction in addition to
listing the experiences she observed while in Annawadi, the slums of Mumbai. She
includes phrases such as “the belly-down splay of alcoholics” (3),
“booby-trapped with contentions” (5), “broken-toothed, profit-minded Santas”
(6), “turned his snot black” (7), and “brittle stack of newspapers” (8) to
describe the slums. The diction helps to describe the people, the rich, the
land, their jobs, and, overall, their lives. It highlights the overwhelming
buildings housing the rich surrounding the slums, the terrors and the fears of
each individual job, the mindsets of people who have worked too hard to gain
nothing, the homes that may fall in at any second. Her diction paints a picture
of the slums, both emotionally and physically. Without saying anything
forthright, Boo informs her audience of the precarious situation in the slums,
illuminating the differences between the luxurious life of the middle class and
the lower class.
Simply by using stronger
language, Boo already evokes an emotional response in her audience and
demonstrates the lives of the lower class in the slums of Mumbai.
TOW #11 – Chief Seattle’s Speech by Chief Seattle
TOW #11 – Chief Seattle’s Speech by Chief Seattle
In 1887,
still-developing America proposed to buy the land territory of current day
Washington state and Oregon from the native inhabitants, ruled by Chief
Seattle. Seattle himself, described as eloquent, powerful, strong, and wise,
responded to the proposition with a speech. He outlined Native American
feelings, wishing to be friends with the “pale-faced” white men while also
conflicted about cultural conflicts. In the speech, he does not give an answer
to the president’s proposition, but rather, prefaces it with the complicated
feelings both he and his tribe are feeling. At the end, he artfully presents a
condition that must be accepted for his tribe to agree to giving away their
land. His build up to this condition includes eloquent personification and
carefully chosen diction to sway his white audience.
Chief Seattle, a
mastery of speaking, included beautiful personification in his speech in order
to beautify the land that the Americans wanted to buy from his tribe. He says,
“Sad-voiced wind moans” and “…the very dust under your feet responds more
lovingly to our footsteps than to yours” (Chief Seattle). This personification
gives the nature emotions and feelings that every human can relate to, making
the nature not only beautiful, but relatable to the American audience. It makes
the nature graceful, beautiful, imperfect, as a human is. This, then, helps to
demonstrate to Seattle’s audience why the Native Americans feel a connection to
the last they are being asked to give away. Since the condition is developed
around a connection to the land, Seattle knows that this demonstration will
pull out feelings in his audience, encouraging at least sympathy. This sympathy
creates understanding of the condition being presented and, hopefully,
acceptance.
During his speech,
Seattle carefully choses beautiful, descriptive diction to create a tone of
superiority among his American audience. He uses words such as “fond”,
“sacred”, “hallowed”, “mighty hosts”, “dusky spirits”, “solitudes”, and “throng
with the returning hosts” (Chief Seattle). This diction creates a superiority
complex surrounding the Native Americans. By describing themselves as “hosts”,
they claim that they belong to this land. This states to the citizens of a new
nation that they cannot simply buy this sacred area, which is beautified by
Seattle’s words. He states that the Native Americans have more rights to the
land than their “pale-faced” brothers. In terms of the presented condition,
this gives American a more forceful push. It states, without directly stating,
that they must accept the condition or they will only get the land when the
tribe dies.
Sunday, November 20, 2016
TOW #10—“Gay Air Force Veteran Sues to Earn Honorable Discharge” by Jason Silverstein
In the
1940s, Hubert Edward Spires was undesirably discharged from the United States
Air Force for being gay. Today, Spires, now 91, has filed a lawsuit asking for
an honorable discharge. The case is not yet over, but Spires, who had a very
close encounter with death, has filed the same lawsuit before and has failed. Author
Jason Silverstein, a national breaking news reporter for the New York Daily
News, shares the story solely to inform the public of the case and the changes
in society since the 1940s.
Although Silverstein is
seemingly unbiased in the article, his diction proves to create a sympathetic
tone towards Spires. Silverstein, after telling about the case itself, goes
into Spires’s past. He uses words such as “kicked out”, “sacrifices”, “threatened”,
“horrific and unbearable”, and “grilling”. Though the rest of the article seems
unbiased, these few words build to create a mood of sympathy towards Spires and
his case. It develops pathos which lends the readers as to why Spires acted and
is still acting in the ways that he is and why it is important to his audience.
It also helps Silverstein refine his audience. This slight emphasis draws the
attention of gay rights activists or those in the gay community. Though a news
source, and therefore unbiased, Silverstein easily draws in the people who will
most support his article.
Silverstein
additionally uses quotes from many people close to the case. He quotes the
complaint itself as well as Spires’s lawyer. Though never quoting Spires
himself, Silverstein adds in a video of an interview with Spires, again
promoting sympathy. He also, however, develops his own ethos by utilizing such
tools. Silverstein himself was not included in the case at all, so his
knowledge of the case may be questionable. But by using the people involved
instead of his own thoughts, he proves he has learned about the case more than
sufficiently and can be trusted with the facts.
http://www.nydailynews.com/news/national/gay-air-force-veteran-sues-earn-honorable-discharge-article-1.2881158
Wednesday, November 16, 2016
IRB #2 Introdution Post
Behind the Beautiful Forevers by Pulitzer Prize winner Katherine Boo follows the lives of people living in Mumbai slums. It evaluates their hopes, dreams, and aspirations while also telling about the hardships they face from religion, sex, and economy. The book has been recommended to me by my mother, sister, and step sister who have all read it themselves and have been deeply affected by the messages it conveys.
Sunday, November 13, 2016
TOW #9—Visual text: JB by Archibald MacLeish
Over the
past several months, I have worked on the crew of the production of JB in our school. Being one of the
leaders in stage crew, I was given a script to follow cues and to learn about
the play. JB is a tragedy, based off
of the Book of Job in the Old Testament. In the play, it was modernized, based
in the 1950s, when it was written. It follows a man named JB and his family.
JB, a very faithful and good man, is challenged by Satan, or Nickles in the
play. Mr. Zuss, the equivalent of God, allows Nickles to take away JB’s
blessings. Slowly, JB’s children die and he loses his job, his money, and his
health. This fear and depression and, ultimately the survival of JB’s faith,
can be seen through the cover of the script itself.
The cover consists of mainly
brown tones. However, there is a large white patch in the center showcasing the
title and the author. This contrast of light and dark is highly symbolic of the
two main conflicting forces in the play itself. God, often represented in
lighter colors (and wearing white in the play), fought with Satan, who is
traditionally represented with darkness (and wore black in the play). The
overpowering brown also has a symbolic element. Although God won in the end,
Satan became controlling of the situation, even taking over a person’s life,
much like how the brown is taking over the entire front cover.
In addition, the brown could
represent impurity, whereas the white is pure and clean. This is not only
literally, due to a bomb in the play, but figuratively. Satan’s, or Nickles’s, motivations
were to reveal the impurities of JB’s faithfulness to God. Though this never occurred,
it does not mute the dirtiness of Nickles’s actions, or even of JB wife’s
reaction to the situation. Ultimately, she agreed with her husband and stayed
faithful, but during the play she comes to curse God as she is dealing with her
children’s deaths.
Simply by using contrasting
colors on the cover of the script of JB,
Archibald MacLeish explored the depth behind his play.
Sunday, November 6, 2016
TOW #8—“Smoke Gets in your Eyes” by Caitlyn Doughty
TOW #8—“Smoke Gets in your Eyes” by Caitlyn Doughty
In Caitlyn Doughty’s book “Smoke
Gets in your Eyes” she discussed the treatment of our dead. Doughty became a
mortician after college and continues her work today. In the last half of the
book, she further discusses the different cultures and traditions in regards to
dealing with the dead. She often states that she finds our system to be quite detached
and believes that families should have a larger part when deciding and carrying
out the actions they should take in dealing with family members who have passed
away. In order to do this, she utilizes a colloquial tone to make death
familiar and allusions to relate death to everyday life.
Death is often and foreign and
terrifying idea to the general public. Doughty wants to reverse this belief and
show that death deserves a more intimate approach. To do this, she writes with
a colloquial tone. She often uses sarcasm, makes jokes, or uses interesting
language to lighten the tone of her seemingly-dark memoir. For example, she
says “Dead. Finito” (Doughty 176). By
using a colloquial tone like this, Doughty makes death seem like a lighter idea
instead of a dark and formal process. She introduces and explores the idea as if
it does not deserve heightened and strong language; as if it should be a
problem discussed by not only intellectuals, but of every person, regardless of
intelligence, race, gender, etc. Overall, this decreases the amount of fear
people have towards death and helps to show that death should be a more
intimate process for their loved ones.
Later, Doughty compared a grieving
family to well-known Jane Austen novels (Doughty 179). She also mentions other
books, movies, and even celebrities in her memoir. These people, books, and
movies, are generally well known by the general public and have been at some
time a household name or object. She compares death to a familiar idea in everyday
lives, which gives the idea of death a more personal approach. Like her
colloquial tone, this helps to break down the fear and emotional walls
surrounding death and welcomes death into their homes. This, paired with her
colloquial tone, inspires families to take a more personal approach when
deciding what to do with passed loved ones.
Wednesday, November 2, 2016
TOW #7—“Students Across America have Voted, and they Chose…” By Katie Wallace
TOW #7—“Students Across America have Voted, and they Chose…”
By Katie Wallace
Katie Wallace, writer for CNN
news, published her article “Students Across America have Voted, and they Chose…”
on November 1, 2016, recounting the events that occurred throughout high
schools and colleges in the United States. She informs readers of the results
of multiple mock elections and the statistics gathered by many college
students, predicting the winner of the 2016 election and putting emphasis on
the importance of the results. All in all, the mock elections put Hillary
Clinton ahead by around 5% each time. While Clinton was predicted to be in the
upper 40’s, Trump was predicted to be in the lower 40’s, percent-wise. This is
a good indicator of who will win, her article says, because it has been
accurate in the election of the five previous presidents. Wallace recounts
these events, all while staying organized and trustworthy.
Because there were multiple
elections and sources, information was abundant in Wallace’s article. With so
much information, it isn’t hard for readers to become confused. Wallace
prevents this confusion by organizing her article with subtopics and then going
deeper into a main point. She includes sections such as “Student mock election
has perfect record” and “The prediction breakdown” (Wallace). By doing so, she
allows the readers to not only understand more clearly, but to gain insight on
the significance of these events. Her organization allows for a clearer interpretation
and, thus, an understanding of what these mock elections mean.
Though Wallace does not have any
well-known experience in politics, she establishes her credibility by using a
surplus of statistics and quotes. She includes quotes from students, teachers,
officials involved in government, and statistic from trustworthy and well-known
associations. She often uses the phrase, “according to the American Statistical
Association” (Wallace) throughout the article after she identifies them as the
organization which conducted the mock elections. These references to well-known
people and organizations allow for a trust to be developed among the readers.
It also aides the readers to understand the importance of what they are reading
as commentary can be reported on from many intellectual and informed officials.
Wallace’s inclusion of quotes and a surplus of statistics helps not only build
her credibility, but helps show the importance of her writing as well.
http://www.cnn.com/2016/11/01/health/students-mock-presidential-election-results/
http://www.cnn.com/2016/11/01/health/students-mock-presidential-election-results/
Sunday, October 23, 2016
TOW #6— “Fit as a Jockey: How the Men and Women in the Saddle Stay in Shape” by Eoghan Macquire
The life of
a rider is a busy one, full of shows and lessons every day. Riders mount a
horse multiple times a day, sometimes over 10 times, getting home around
midnight and waking up at 5am to ride again, according to Eoghan Macquire.
Macquire wrote “Fit as a Jockey: How the Men and Women in the Saddle Stay in
Shape” on Friday, October 21. During the off season, riders have to stay in
shape. It helps them to control the horse, aide in decision making, and allows
them to pass the required fitness test for all jockeys. Macquire informs his
audience of how these athletes keep up with these demands and how they stay fit
without becoming too muscular and too heavy for their horse. He highlights even
the smallest things the jockeys do for the fans of horse races, such as
skipping out on alcohol. He writes a well put together essay and refers many
times to the experts in the field.
There are many schools for
jockeys and, at one point in their lives, every jockey has gone to one.
Macquire quotes well known jockeys as well as the owners of these schools in
his article. He refers often to Hayley Turner, a successful retired jockey, and
Yariv Kam, a fitness coach at one of the jockey schools. This allows Macquire
to build credibility. Macquire never mentions whether or not he is a rider or
even if he has any knowledge about horses. The quotes and sources he utilizes
are from well-known jockeys who have automatic ethos. His audience, almost
directed towards the British fans of horse races, already know the names and
places he mentions, giving himself credibility. Without this key factor,
utilized throughout the entire essay, Macquire’s article would not be
successful.
Sunday, October 16, 2016
TOW #5 – Visual Text: “Zoo Gorilla Shot” by Dave Granlund
“Zoo Gorilla
Shot” by Dave Granund is a political cartoon concerning the issue of the
gorilla Harambe. Harambe was shot and killed when a young boy fell into the
exhibit. An outrage followed the killing of Harambe with many saying that the
gorilla was unrightfully put down. Granlund cartoon depicts a family of
gorillas (an adult with two children) who are surrounding a sign that says “RIP
Harambe” and seem to be very scared. One gorilla is saying “Need to redesign
zoos… not to keep us in… but to keep humans out!!” By doing this, Granlund
tries to show that Harambe’s killing was unjust and that it is the humans’
fault that he died, not his own.
Granlund uses only black and
white colors in his cartoon. These colors often symbolize fear or the past to
many people. Scary movies or very old movies are often black and white. By
using these colors, Granlund simulates fear in the audience. The audience then
gains perspective as to how and why a situation like this can be fearful to the
animals. This helps inspire emotion in the readers and, thus, sympathize with
the gorillas. These colors also represent older times. Harambe, and possibly
this family of gorillas in the future, has been left in the past when he was
killed. These colors not only stimulate fear, but nostalgia as well. As nostalgia
often does, it makes the audience rather sad and aids to understanding the
grief this family of gorillas may be feeling. Simply by using the colors black
and white, Granlund appeals to pathos in order to further his purpose.
Garnlund’s cartoon is very
simplistic, yet it sends out a powerful message. As it is mainly the younger
generations that fought against the wrongdoings that fell upon Harambe, it is
plausible that Granlund was reaching out to those younger people. By appealing
to pathos, Granlund accomplishes just that.
Sunday, October 9, 2016
TOW #4—Smoke Gets in your Eyes by Caitlyn Doughty
Lindsay
Klenk
TOW #4—Smoke Gets in your Eyes by Caitlyn Doughty
Smoke Gets in your Eyes by Caitlyn Doughty is a memoir depicting
Doughty’s time as a mortician in America. She shares how she found out about
the job, the experiences she had, and what it taught her as a person. Now,
Doughty is a licensed mortician who utilizes youtube and her novel to modernize
and update the public’s view of death and the dead.
In her memoir, Doughty talks
about many heavy and dark events that took place during her time as a
mortician. Much of these events are incomprehensible for the people who didn’t experience
it; her audience. She helps to bridge this gap of understanding by utilizing
metaphors. Doughty compares the crematory to the depths of hell (Doughty 13)
while completing her first cremation. She also uses metaphors often when
explaining her corpses appearance, helping the public understand the emptiness
in their eyes or the lifelessness of their lips. This figurative language
allows the audience to gain insight into the challenges of Doughty’s work and
the seriousness of what she had to do. It also relates the corpses to familiar
things, allowing the public to realize how important a mortician’s work is,
aiding in Doughty’s purpose.
Though it is imperative for
Doughty to demonstrate the importance of her job, it is equally important for
her to comfort and support her audience as they discover the horrors of death.
She admits that her topic is often feared and shown in the wrong light. In her
book, she utilizes personification as a way to redefine death. She often states
that death brought her something or warns her of what she may see. As is the
definition of personification, death is given human attributes and qualities,
allowing her audience to view death in a more familiar, and thus comfortable,
way. This allows their view to change from the horrors they had previously been
taught to a natural comfort that awaits everyone when their time comes. Although
this book may not seem important, Doughty uses smooth figurative language to
redefine what death means.
Sunday, September 25, 2016
TOW #3 – “Am I Introverted, or Just Rude?” by KJ Dell’Antonia
TOW
#3 – “Am I Introverted, or Just Rude?” by KJ Dell’Antonia
KJ Dell’Antonia, writer for The New York Times, wrote “Am I
Introverted, or Just Rude?” on September 24, 2016. She explains how she has
believed that she has been an introvert her whole life, but, suddenly, her views
have changed. After reading the book Quiet:
The Power of Introverts in a World that Can’t Stop Talking, Dell’Antonia
looked at herself objectively, asking the question “Am I actually an introvert?”
With a little investigation and research, she decided that she was just selfish,
caring more about herself than others, as well as many other self-proclaimed
introverts in this world. Her aim in publishing this revelation is to open the
eyes of her audience, many of whom are self-proclaimed introverts themselves,
to the idea that they may be uncomfortable in social situations rather than an
introvert.
In order to do this, Dell’Antonia organizes
her paper as if she were investigating this revelation as it is being read. She
starts out with the big question and breaks it down, including the thoughts and
discussions she has, until she reaches the answer at the very end. This helps
with two things in her paper; understanding and relating. The audience gains a
clear understanding of Dell’Antonia’s process and thoughts, therefore
understanding why and how she came to her conclusion. It builds her credibility
as it proves that her conclusion is plausible and, frankly, highly likely to be
correct. In addition to this, the audience can hear Dell’Antonia’s own struggle
with her personality and can connect to this struggle. They may relate to a
situation or a feeling that Dell’Antonia experienced which will then leave a
lasting effect on them.
As a smaller part of her writing,
Dell’Antonia also uses widely varied sentence structure. She often uses short
and to-the-point sentences, making her purpose stronger. These sentences create
a tone of finality and allow the readers to relate to her situation. She
utilizes the sentences to say, “I didn’t want to do it, but I did. It’s over,” when
talking about social interaction. She separates these sentences, however, with
longer, beautiful sentences.
Sunday, September 18, 2016
TOW #2 - Visual Text: Political Cartoon by Nate Beeler
TOW #2 – Visual Text: Political Cartoon by Nate Beeler
With the elections only a
few short months away, everyone is starting to take notice. Political
cartoonists seem fixated on the candidates, highlighting their flaws. Nate
Beeler’s cartoon immediately draws eyes to the rather large Donald Trump with
his internal organs showing. The cartoon, a critique on Trump’s released
doctor’s note, shows an x-ray of Trump’s internal organs and a doctor analyzing
them. Beeler has been a professional cartoonist since 2005, working at The Washington Examiner and The Columbus Dispatch. He uses his
well-developed skills to put his thought about Donald Trump into a visual
image.
In this image, Beeler utilizes
exaggeration as one of his main rhetoric devices. By giving Trump a large bile
duct and a rather small heart, Beeler suggests his thoughts on Trump’s
personality. A smaller heart shows that Trump does not feel much love or
sympathy while a large bile duct suggests that he is a bile, or vindictive,
person. This also suggests that Trump’s physical health is affected by his
personality, implying that he is unhealthy because he is a bad person. Beeler
also draws the doctor with a very small head, almost coming to a point at the
top. This means that there is little room for a brain, or that the doctor is
unintelligent. He cannot be trusted to analyze Trump’s health well.
As well as this, the doctor says
that “Mr. Trump is in tip-top shape and all internal organs appear normal, for
the most part.” Beeler wrote the word “most” in red, whereas the rest of the
sentence is black. This change in color puts an emphasis on the word most,
showing that there are some abnormalities in Trump’s health and that his organs
are not in perfect condition.
This statement carries over the
reality, where Donald Trump’s health was labelled as excellent. Nothing has
been found contradicting the statement, though it is not convincing democrats
that Trump can handle the job as President of the United States. Beeler’s cartoon
highlight’s this, making an attempt to convince people that Trump is a bad
person by drawing his insides.
Citation:
Beeler, Nate. Townhall.com.
N.p., n.d. Web. 17 Sept. 2016.
Sunday, September 11, 2016
ToW #1 - "Trump's Sexist Strategy Gets Assist from Matt Lauer"
On September 8, Peggy Drexler of CNN News wrote an article about Donald
Trump. The article, titled “Trump’s Sexist Strategy Gets Assist from Matt
Lauer,” focuses on how Trump has been using sexism to benefit in the 2016
presidential nominations, and how he now has support from Matt Lauer, host of a
live forum on NBC. Drexler explains how both Clinton and Trump were questioned
in the interview, though Lauer seemed to challenge Clinton more and gave her
less time to defend herself. Drexler first starts the article by explaining the
situation and, afterwards, she gives evidence of the speculation of Lauer’s
equality in the interview by referring to social media. She quotes many tweets,
including one from an aide to President Obama. Drexler, assistant professor of
psychology at Cornell University and gender study scholar at Stanford
University, wrote the article to inform readers of Trump’s sexism and Lauer’s
support of this and to argue about his campaigning strategies.
To achieve this purpose, Drexler
develops a strong tone. She uses her examples and diction to create a tone that
is colloquial and sarcastic yet aggressive. She allows her feelings of the
Republican candidate to shine through her words. Her curt sentences, such as
“As offensive as this sexism is, it’s not new,” illuminate her anger and
present her information to her audience in a dramatic, almost suspenseful, way.
This leaves her readers enchanted with what she has to say as the drama reels
them in as well as walking away angry with Trump, thus lessening the support
for Trump.
In another effort to lessen
support for Trump, Drexel includes graphics in her articles. She adds in
recordings of phone calls, speeches, and even pictures of tweets that prove
what she claims in the article is true, building her credibility. If the tone
proves too aggressive for some, the graphics prove that she has a right to feel
this way and discredit many counter arguments.
Although
my own bias might cloud my opinion, I enjoyed Drexler’s work and recognized how
her rhetoric devices made a strong, coherent article. Article URL - http://www.cnn.com/2016/09/08/opinions/trump-gender-sexism-drexler/index.html
Article Citation - Drexler, Peggy. "Trump's Sexist Strategy Got Help from Lauer." CNN. Cable News Network, 8 Sept. 2016. Web. 11 Sept. 2016.
Tuesday, September 6, 2016
IRB #1 Introduction Post
Smoke Gets In Your Eyes, by Caitlin Doughty is a memoir about learning how to work in a crematory and how to care for dead bodies. Writen by a licensed mortician, the book has underlying meanings of how society handles the fear of death and how this fear has shaped individuals. With raving reviews from Oprah, Natalie Kusz from the New York Times Book Review, and many more, this memoir has been recommended to me by my mother, a seventh and ninth grade English teacher. I am ready to pick up Smoke Gets In Your Eyes and see how my unique view of death compares to Doughty's view.
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